One Enchanted (Rock) Evening

Many folks set off to photograph their favorite landscape spot wondering which lens or lenses to use in the field. Given how many fine lenses are available on the market today, answering this question is not quite as simple as it seems. While I can’t provide specific recommendations (since I have no idea your camera type or your budget), here’s a list of the lenses I’ve used for landscape photography over the past few years along with a few reasons why each makes a good nature or landscape lens.

One important thing to keep in mind, since most landscape shots are taken with the camera mounted on a tripod, image stabilized lenses become much less important. You can save yourself hundreds of dollars on landscape lenses by looking at non “IS” or “VR” lenses only.

Sunset Over Enchanted Rock – Fredericksburg, Texas
Copyright © 2012 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 17-40mm f/4L USM lens tripod mounted. The exposure was taken at 19mm, f/14 for 1.6 seconds at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 4.
Click on the image above for a larger version.

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Ultra-Wide Angle Zooms
Many of the scenes you’ll encounter during a landscape shoot will require a wide angle lens and in Texas, the wider the better. If you shoot a camera with an APS-C size sensor like the new Canon EOS 7D, then the Canon EF-S 10mm f/3.5-4.5 USM is your best bet for a tack-sharp wide-angle zoom.

If you shoot with a full frame camera like the Canon EOS 5D Mark II or the new EOS 5D Mark III, then you have a few more choices such as the Canon EF 17-40mm f/4L USM or the more expensive Canon EF 16-35mm f/2.8 L II USM lens.

Wide-Angle Primes
Many landscape photographers prefer to “zoom with their feet” and carry wide-angle prime (single focal length) lenses instead of zooms. Before the days of computer controlled lens grinding, prime lenses were substantially sharper than zoom lenses but today most high-end zooms compete very well with prime lenses in terms of sharpness.

I understand from my friends (on the dark side) that Nikon has released a very sharp wide-angle prime for their APS-C cameras but unfortunately for Canon shooters, there are no EF-S series prime lenses so finding a wide-angle lens for Canon’s most popular DSLRs is tough.

Wide-to-Medium Telephoto Zooms
This type of lens is probably the most widely used for amateur landscape photographers due to the broad focal range coverage and competitive pricing among manufacturers.

For APS-C cameras, Canon offers many lenses that fit into this category such as the brand new Canon EF-S 15-85mm f/3.5-5.6 IS USM, the older Canon EF-S 17-85mm f/4-5.6 IS USM as well as the Canon EF-S 18-200mm f/3.5-5.6 IS lens. All three are great choices for owners of a Digital Rebel or EOS 7D.

For those of us that shoot with full-frame cameras like the Canon 5D2 there are also many great choices like the tack-sharp Canon EF 24-70mm f/2.8 L USM or my favorite, the Canon EF 24-105mm f/4 L IS USM which is one of Canon’s best selling lenses of all time. If you have deep pockets and can wait another few months, then the new Canon EF 24-70 f/2.8L II USM is also a great choice.

Medium Telephoto Zooms
Although not strictly landscape lenses, a good medium telephoto zoom can be a real asset when shooting Texas landscapes from a distance. I highly recommend any of these Canon lenses and their Nikon equivalents. The Canon EF 70-200mm f/4.0 L USM lens is without a doubt, the best “value” offered today by any lens manufacturer. Thirty years ago a lens like this would have cost thousands and today this little baby can be yours for less than $700. Yes, you can spend more on the image stabilized version or on the much larger and faster f/2.8 version but for landscape photography this is one sweet deal.

Macro Lenses
Many landscape photographers prefer “going wide”, but never forget the beauty of getting real close. Both Canon & Nikon make excellent macro lenses such as the Canon EF-S 60mm f/2.8 Macro USM or the new Canon EF 100mm f/2.8 L IS USM (the first macro with image stabilization). Don’t forget that today, many medium telephoto lenses allow close-focus macro photography and with Canon’s 500D Close-Up “filter” almost any lens can become a macro lens.

Conclusions & A Fresh Thought
Your lens choices for landscape photography are almost limitless and every lens manufacturer has dozens of models to choose from in every price range imaginable. A new lens will not make you a better photographer and some of the most spectacular landscape images I’ve ever seen were taken with a 50mm plastic lens costing less than $100. The most important piece of equipment you can bring on a landscape shoot is your imagination and creativity.

The Trail Before Us

My friends, readers and followers,

Sometimes the trail before us is straight, level and easy to follow. Sometimes however, it contains treacherous curves, rises through unimaginable slopes and remains obscured until we reach a precipice. Life is often like that later type of trail and my own path has been difficult these past five years.

A few short months ago my wife of 23 years decided to divorce me, move out of our home and take my two remaining minor daughters with her. Nothing could have shocked me more or hurt me worse than this news, given to me not from her own lips but from an early morning phone call from her attorney. To say that I was devastated would not do justice to the depth of my sorrow. Nothing in my entire life had prepared me for this situation and my world came to an abrupt end.

Life does go on however and with the help of the Lord, my kind and loving family and my friends near and far, I am moving forward once again with my life’s journey. The Lord never gives us a challenge that we cannot overcome my friends, but with free will comes the responsibility to treat others with kindness, consideration and love. Some never learn this valuable lesson and for those we must pray. I wish my ex-spouse only the best in this life and pray that she finds peace and contentment in her journey. My resolve to provide photographic help and advice through this blog has not wavered. Nor has my love of life, my belief in God and my commitment to my four beautiful daughters’ future.

Your continued support and understanding is greatly appreciated my friends. May the trail before you be filled with wonders.

Jeff Lynch
Sugar Land, Texas

The Trail Before Us – Big Bend National Park, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens tripod mounted. The exposure was taken at 28mm, f/13 for 1/20th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 3.
Click on the image above for a larger version.

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Tunnel ?

Driving down to the Rio Grande Village in Big Bend National Park. Sometimes it’s better to go over a hill and sometimes it’s not.

Tunnel ? – Big Bend National Park, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens tripod mounted. The exposure was taken at 35mm, f/14 for 1/30th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 3.
Click on the image above for a larger version.

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Desert Bloom

Desert Bloom – Big Bend National Park, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens tripod mounted. The exposure was taken at 50mm, f/14 for 1/40th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 3.
Click on the image above for a larger version.

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Many Thanks to Visit Big Bend!

Many thanks to the folks at Visit Big Bend for showcasing my work on their web site. If you plan to travel to the Big Bend region then this is the web site for you! It’s where I look to plan my trips and where you should too.

Enjoy!

What a View!

Chisos View – Big Bend National Park, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 17-40mm f/4L USM lens tripod mounted. The exposure was taken at 22mm, f/14 for 1/60th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 3.
Click on the image above for a larger version.

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Using Alien Skin’s Bokeh Plug-In for Wildlife Photography

It’s spring again (finally) and that means you bird photographers out there will be hard at work trying to capture that perfect shot of a bird in flight. This elusive quest strikes the heart of most nature and wildlife photographers, both professional and amateur alike and is known to have driven more than a few crazy over the years. So it’s also time I repost one of my favorite articles from years past for y’all to enjoy. It’s not really cheating, my friends, it’s just employing the right tool for the right job. For most of us without $10K to spend on a new lens, this little plug-in does wonders “in post”.

Enjoy!

I realize that this post may offend a certain population of wildlife photographers out there and for that I do apologize. I’m not a wildlife photography “purist” and I will enhance my wildlife images in Lightroom or Photoshop just as I do my commercial, portrait or landscape work. I do this in wildlife images for the very same reason I do it in other types of images, to tell a story and to evoke an emotional response. For me, that’s what photography is all about.

Having said that, I do realize that many well known wildlife photographers (and most wildlife magazines) require that the image be manipulated as little as possible, just as a photojournalist would when covering the war in Iraq for example. I certainly respect that style of wildlife photography but it’s just not my style and that’s why I’ll always let you know when I’ve manipulated a wildlife image during post capture processing as I did in this image below.

Flying Solo
Copyright © 2008 Jeff Lynch Photography
Shot taken with a Canon EOS 50D set on aperture priority (Av) using an EF 300mm f/4 L IS USM + EF 1.4x Extender monopod-mounted. The exposure was taken at 420mm, f/5.6 for 1/500th of a second at ISO 100 on SanDisk digital film. Post capture processing was done in Lightroom 2 and Photoshop CS4 using Alien Skin’s “Bokeh” plug-in filter. Click on the image above for a larger version.

My first step in creating this image was to process it as I would normally do in Lightroom. I generally work on the Basic settings like Exposure, Recovery (very important), Blacks (also very important), Brightness and overall Contrast. I almost always crank up the Clarity (adding mid-tone contrast) and Vibrance (adding mid-tone saturation) and may play with these two settings for 20 or 30 minutes until I find a combination I like.

At this point, my work in Lightroom is complete and my next step is to export the image in Photoshop CS5 and use the Quick Selection tool to select the duck as shown here. Although the selection doesn’t have to be pixel perfect, it always pays in realism to spend a little extra time making a thorough selection of all parts of the subject.

Once you’ve got a basic selection done it’s time to use the Refine Edge tool to Smooth, Feather and Expand the selection you’ve just made. For birds in flight these are the settings I normally use to make sure all the bird’s feathers are included in the selection.

Once that’s done your new selection should look something like this.

You’ll understand why this step is vital when you begin to play around with the settings in the Alien Skin Bokeh plug-in filter.

Bokeh provides creative controls to enhance images by focusing the viewer’s attention anywhere you want. In the image above, the Bokeh plug-in was used to enhance the background blur. This allows me to shoot the image at f/5.6, which is the fastest my Canon EF 300mm f/4L + 1.4x Extender can go, but make it appear as if I shot it with Canon’s much more expensive EF 400mm f/2.8 lens. Blurring the background in an image like this one makes the subject “pop” and seem that much sharper.

Another trick to enhance an image like this is to apply some sharpening  to the subject only, as shown below.

It’s easy to do this by clicking on the layer that your selection is on and using Nik Software’s Sharpener Pro plug-in. I prefer this plug-in because it acts more subtly and with fewer artifacts showing up in the final image. Sharpening only the selection is important since you’d hate to mess up that beautifully blurred background you just created using Bokeh.

The final step in Photoshop CS5 is to blend the three layers you’ve just created using Lightroom (background layer), Alien Skin’s Bokeh (bokeh layer) and Nik Software’s Sharpener Pro (sharpener pro layer). Now you could do this simply by flattening the layers but I suggest you take a little time and experiment with the Opacity of each layer until you achieve the desired results. I tend to blend the Bokeh layer at 100% but the Sharpener Pro layer at only 60% – 80% to achieve the most realistic look to my image.

Once you’ve completed this process, you just save the image in Photoshop and it should automatically show up in Lightroom, ready to be exported or printed.

Twin Peaks

Twin Peaks – Big Bend National Park, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 17-40mm f/4L USM lens tripod mounted. The exposure was taken at 33mm, f/14 for 1/60th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 3.
Click on the image above for a larger version.

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