Autumn on the River Frio

Now that summer has come to Texas in full force (we topped 98F last week), here’s a look back to a cool fall day in the Texas Hill Country.

Autumn on the Frio River

Autumn on the Frio – Leakey, Texas
Copyright © 2013 Jeff Lynch Photography
EOS 5D Mark III w/ GP-E
Shot taken with a Canon EOS 5D Mark III with GP-E2 unit attached, set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens and tripod mounted. The exposure was taken at 32mm, f/16 for 1/50th of a second at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe Photoshop Lightroom 5.

Click on the image above for a larger version.

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Hill Country Clouds – Vanderpool, Texas

Texas Hill Country Clouds

Hill Country Clouds – Vanderpool, Texas
Copyright © 2013 Jeff Lynch Photography
EOS 5D Mark III w/ GP-E
Shot taken with a Canon EOS 5D Mark III with GP-E2 unit attached, set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens and tripod mounted. The exposure was taken at 24mm, f/16 for 1/8th of a second at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 4.

Click on the image above for a larger version.

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Cathedral Morning – Tule Canyon, Texas

Here’s a shot of an incredible rock formation found at the very south end of Tule Canyon near Silverton, Texas. Exploring the western edge of Tule Canyon near the MacKenzie Reservoir yields some of the most interesting history and geology in the entire state.

Standing here on a cold spring morning, it’s easy to imagine this canyon filled with vast herds of buffalo being hunted by the Apache on horseback. It’s also easy to imagine what Coranado must have thought when he first came upon this region during his El Dorado expedition in 1540′s.

What an incredible place to explore!

Cathedral Morning

Cathedral Morning – Tule Canyon, Texas
Copyright © 2013 Jeff Lynch Photography
EOS 5D Mark III w/ GP-E
Shot taken with a Canon EOS 5D Mark III with GP-E2 unit attached, set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens and tripod mounted. The exposure was taken at 28mm, f/14 for 1/40th of a second at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 4.

Click on the image above for a larger version.

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South Prong Canyon

“The rugged beauty of Caprock Canyons State Park has been created over millions of years, shaped by wind and water. The park is located along the Caprock Escarpment, a long, narrow rocky formation as high as 1,000 feet that forms a natural tran­sition between the flat, high plains of the Llano Estacado to the west and the lower Rolling Plains to the east.

Streams flowing east from the Llano Estacado flow onto the lower plains through the Caprock Escarpment, then into the Red, Brazos and Colorado rivers. With a downcutting action, tributary drainages of the Little Red River have exposed geologic layers in the park down to the Permian age Quartermaster formation, formed approximately 280-250 million years ago. These layers are commonly referred to as “red beds” because of the red coloration of their constituent shales, sandstones, siltstones and mudstones.

Each of the geologic ages exposed by this headwater drainage erosion is characterized by different colorations including shades of red, orange and white. The park’s steep and colorful canyons and bluffs are the breathtaking result of this powerful natural process.”

South Prong Canyon Trailhead

South Prong Canyon – Caprock Canyons State Park, Texas
Copyright © 2013 Jeff Lynch Photography
EOS 5D Mark III w/ GP-E
Shot taken with a Canon EOS 5D Mark III with GP-E2 unit attached, set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens and tripod mounted. The exposure was taken at 28mm, f/14 for 1/40th of a second at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 4.

Click on the image above for a larger version.

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Texas Mountain Range

Guadalupe Mountains National Park could easily be described as one of Texas’ best-kept secrets. Folks traveling in the area often overlook the park as they drive by. Located in West Texas on U.S. Highway 62/180 about 110 miles east of El Paso, Texas and 60 miles southwest of Carlsbad, New Mexico, the park is a hidden gem just waiting to be explored. The view on a warm spring evening is something to remember.

Guadalupe Mountain Range

Texas Mountain Range – Guadalupe Mountains National Park, Texas
Copyright © 2013 Jeff Lynch Photography
EOS 5D Mark III w/ GP-E
Shot taken with a Canon EOS 5D Mark III with GP-E2 unit attached, set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens and tripod mounted. The exposure was taken at 70mm, f/16 for 1/30th of a second at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 4.

Click on the image above for a larger version.

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Desert Ride

Landscape photography in Texas is an endurance sport, especially for your vehicle. The best locations are far from any major cities and in many cases, far from civilization itself. Having a dependable ride like the Subaru Forester is essential to your success and your survival.

My 2010 Forester has a little over 103,000 miles on it and still runs like a champ. I’ve taken it all across Texas from Houston to Amarillo, Dallas to El Paso and Harlingen to Nacogdoches with not a single breakdown to its credit. We’ve traveled the dirt roads of Big Bend National Park, the two track trails of Guadalupe Mountains National Park, the back roads of twenty different Texas State Parks and the dirt roads of over 150 Texas counties.

Man, what a ride!

Desert Ride

Desert Ride – Salt Flat, Texas
Copyright © 2013 Jeff Lynch Photography
EOS 5D Mark III w/ GP-E
Shot taken with a Canon EOS 5D Mark III with GP-E2 unit attached, set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens and tripod mounted. The exposure was taken at 24mm, f/16 for 1/20th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop, soft, graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 4.

Click on the image above for a larger version.

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Workshop Preparation Post #5: Packing for Landscape Photography

As I’ve posted before, gear selection and packing for a landscape photography trip is a cumbersome task. Each time I set out for a few days or a few weeks I begin by putting together a shoot list and hiking schedule. I also check the weather forecast for the area of Texas I’ll be traveling though and pray for any cold fronts approaching from the north or west. The last thing I want is a cloudless sky.

Packing for Landscape Photography

Pulling together a shoot list is a common enough task for most commercial photographers but I find few landscape or nature shooters that follow this discipline. I like to maximize my time in the field but I can’t carry fifty pounds of cameras and lenses on each hike so a shoot list is essential.

So here is a list of what I pack for a typical landscape outing.

  • Canon 5D Mark III with EF 17-40mm f/4L USM zoom attached.
  • Canon EF 70-200mm f/4L zoom with lens hood.
  • Canon TS-E 24mm f/3.5L II Tilt & Shift Lens.
  • Gitzo Traveller Tripod & RRS Ballhead.
  • Singh-Ray CP, Vari-ND & ND Grad filters.
  • Black Rapid R-Strap & Clips.
  • Bubble level, CF cards, lens cloths.
  • Garmin GPS on one strap.
  • Motorola MR350 Two Way Radio on the other strap.
  • Emergency Thermal Mylar Blanket.
  • Hiker’s First Aid Kit.
  • LED Flashlight & Hunting Knife.
  • Emergency Bail-Out Rope.
  • Water, typically three 24oz bottles.
  • Trail Snacks (for energy).

This much gear weighs in a little under 20 lbs and fits comfortably in my pack. The nice thing is, the weight decreases during the hike as I consume my water supply and trail snacks. I caution folks about carrying too much weight in their packs. I’ve done these hikes and climbs several times in the past few years and every extra ounce of weight you carry takes that much more energy. When you’re out shooting in nature, the last thing you need to be thinking about is how sore your lower back is from lugging around all that gear.

In fact, during my spring workshop (Texas Landscape Safari) I may carry only one lens (24-105mm) on my 5D3 and a few filters in my pockets. I load my pack up with as much water as I can carry along with some apples for energy. One thing I tell all my attendees; if it’s a choice between a lens or a bottle of water, always take the water. The Texas sun can be a relentless companion and folks that don’t respect its strength soon find themselves dehydrated and exhausted. Not a great combination for a budding landscape photographer during a workshop.

Workshop Preparation Post #3: Tripods

Lake LBJ Overlook

Lake LBJ Overlook – Kingsland, Texas
Copyright © 2009 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens tripod mounted. The exposure was taken at 32mm, f/11 for 1/6th of a second at ISO 100 using a Singh-Ray warming polarizer and two-stop, soft graduated neutral density filter. Post capture processing was done entirely in Adobe’s Lightroom 3.

Click on the image above for a larger version.

As many of you know this spring’s Texas Landscape Safari is scheduled for later next month (April 21st – 24th, 2013) and I thought I’d help folks get ready by discussing some “tools of the trade” used by every landscape photographer. So over the next three weeks I’ll be posting images of the gear I use along with some shots made possible by this gear. Honestly, it’s just plain fun to “geek out” over gear every once in a while.

Tripod Legs in ActionThe single most important piece of photographic gear you’ll ever purchase (after your camera and lens) is a set of light-weight, good quality tripod legs. A good tripod can make the difference between a shot that “looks” sharp on the camera’s LCD and one that “is” tack sharp when printed at 24″ × 36″. Remember, the number one cause of soft images isn’t poor focus, it’s camera movement.

Click on the image above and look at the crisp detail of the rocks and trees compared to the silky smooth look of the water. Getting this type of shot required a 1/6th second exposure in the late evening and the slightest camera movement would have completely ruined the image.

Good quality tripod legs are not cheap and you can expect to pay somewhere between $300 – $800 (USD) depending upon the materials of construction, size and weight. I currently use two different set of tripod legs these days; one for studio & on-location work (Gitzo GT2541 Mountaineer) and one for hiking (Gitzo GT1541T Traveller). Both are constructed from carbon fiber making them very light-weight but extremely strong and durable.

I’m an unabashed believer in Gitzo tripods (probably the only French product I’ve ever bought) and highly recommend them to any photographer. Both of my tripod legs have seen the extremes of heat, humidity, mud, sand, gravel and just plain dirt and they work as well now as the first day I bought them. You may buy four or five cameras over your lifetime as a landscape photographer but you’ll only need one Gitzo tripod!

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