Workshop Preparation Post #3: Tripods

Lake LBJ Overlook

Lake LBJ Overlook – Kingsland, Texas
Copyright © 2009 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens tripod mounted. The exposure was taken at 32mm, f/11 for 1/6th of a second at ISO 100 using a Singh-Ray warming polarizer and two-stop, soft graduated neutral density filter. Post capture processing was done entirely in Adobe’s Lightroom 3.

Click on the image above for a larger version.

As many of you know this spring’s Texas Landscape Safari is scheduled for later next month (April 21st – 24th, 2013) and I thought I’d help folks get ready by discussing some “tools of the trade” used by every landscape photographer. So over the next three weeks I’ll be posting images of the gear I use along with some shots made possible by this gear. Honestly, it’s just plain fun to “geek out” over gear every once in a while.

Tripod Legs in ActionThe single most important piece of photographic gear you’ll ever purchase (after your camera and lens) is a set of light-weight, good quality tripod legs. A good tripod can make the difference between a shot that “looks” sharp on the camera’s LCD and one that “is” tack sharp when printed at 24″ × 36″. Remember, the number one cause of soft images isn’t poor focus, it’s camera movement.

Click on the image above and look at the crisp detail of the rocks and trees compared to the silky smooth look of the water. Getting this type of shot required a 1/6th second exposure in the late evening and the slightest camera movement would have completely ruined the image.

Good quality tripod legs are not cheap and you can expect to pay somewhere between $300 – $800 (USD) depending upon the materials of construction, size and weight. I currently use two different set of tripod legs these days; one for studio & on-location work (Gitzo GT2541 Mountaineer) and one for hiking (Gitzo GT1541T Traveller). Both are constructed from carbon fiber making them very light-weight but extremely strong and durable.

I’m an unabashed believer in Gitzo tripods (probably the only French product I’ve ever bought) and highly recommend them to any photographer. Both of my tripod legs have seen the extremes of heat, humidity, mud, sand, gravel and just plain dirt and they work as well now as the first day I bought them. You may buy four or five cameras over your lifetime as a landscape photographer but you’ll only need one Gitzo tripod!

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Autumn Leaves

Autumn Leaves

Autumn Leaves – Rio Frio, Texas
Copyright © 2012 Jeff Lynch Photography
EOS 5D Mark III w/ GP-E
Shot taken with a Canon EOS 5D Mark III with GP-E2 unit attached, set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens and tripod mounted. The exposure was taken at 24mm, f/16 for 1/125th of a second at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 4.

Click on the image above for a larger version.

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Grand Cypress in Autumn

Grand Cypress in Autumn

Grand Cypress in Autumn – Hunt, Texas
Copyright © 2012 Jeff Lynch Photography
EOS 5D Mark III w/ GP-E
Shot taken with a Canon EOS 5D Mark III with GP-E2 unit attached, set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens and tripod mounted. The exposure was taken at 24mm, f/18 for 3.2 seconds at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 4.

Click on the image above for a larger version.

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The Road to Utopia

The Road to Utopia

The Road to Utopia, Texas
Copyright © 2012 Jeff Lynch Photography
EOS 5D Mark III w/ GP-E
Shot taken with a Canon EOS 5D Mark III with GP-E2 unit attached, set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens and tripod mounted. The exposure was taken at 24mm, f/13 for 1/80th of a second at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 4.

Click on the image above for a larger version.

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Hill Country Ranch

Hill Country Ranch – Medina, Texas
Copyright © 2012 Jeff Lynch Photography
EOS 5D Mark III w/ GP-E
Shot taken with a Canon EOS 5D Mark III with GP-E2 unit attached, set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens and tripod mounted. The exposure was taken at 24mm, f/14 for 1/15th of a second at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 4.

Click on the image above for a larger version.

Autumn Ranch – Medina, Texas
Copyright © 2012 Jeff Lynch Photography
EOS 5D Mark III w/ GP-E
Shot taken with a Canon EOS 5D Mark III with GP-E2 unit attached, set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens and tripod mounted. The exposure was taken at 67mm, f/14 for 1/3rd of a second at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 4.

Click on the image above for a larger version.

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Autumn on the Frio River

Frio River in Autumn

Autumn on the Frio River – Leakey, Texas
Copyright © 2012 Jeff Lynch Photography
EOS 5D Mark III w/ GP-E
Shot taken with a Canon EOS 5D Mark III with GP-E2 unit attached, set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens and tripod mounted. The exposure was taken at 47mm, f/14 for 1/3rd of a second at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 4.

Click on the image above for a larger version.

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Using Mirror Lock-Up for Landscape Photography

Water Power

Water Power – Austin, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 70-200mm f/4L USM tripod mounted. The exposure was taken at 70mm, f/18 for 3/10th of a second at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 4.
Click on the image above for a larger version.

Using Mirror Lock-Up
We landscape photographers will go to great lengths and expense to get truly sharp images. For most of us, “sharpness” is the holy grail in our quest and we will spend whatever it takes in new lenses, cameras, tripods and filters to obtain the sharpest image. And yet, I often see well meaning landscape photographers overlooking the most simple and effective technique for eliminating camera shake, the leading cause of “soft” images; vibration!

Every DSLR made in the past ten years contains a mirror lock-up function and I’d be willing to bet that 95% of all DLSR owners have never enabled this important landscape photography setting. To understand why this function is so important you’ll need to understand what takes place in your DSLR when you press the shutter release.

  1. The mirror flips up (wham).
  2. The aperture closes down to the selected F stop.
  3. The shutter opens.
  4. The sensor is exposed to light.
  5. The shutter closes.
  6. The aperture returns to wide-open for viewing.
  7. The mirror flips back down.

Most of these actions occur with very little vibration but the mirror’s movement is the biggest exception. Enabling your camera’s “mirror lock-up” function will cause the mirror to flip up several seconds before the aperture closes down and the shutter opens. This few seconds is critical and allows the vibration caused by the mirror’s movement to dissipate before the shutter opens. Using this technique along with your camera’s self-timer function allows you to press the shutter release and then stand back while the mirror flips up and the timer waits a few seconds (usually 2 or 10 seconds) before opening the shutter.

A Small Caveat
If you plan to use mirror lock-up on your EOS DSLR, to help to remove any trace of shutter vibration, you need to be careful on bright days when there could be a lot of light entering through the lens. This is because the magnification of the lens could concentrate the light onto the shutter curtains and scorch them. To avoid this, don’t wait too long after locking up the mirror before taking the picture. Equally, with the mirror locked-up, you should not point the camera at the sun as this could also potentially damage the shutter curtains.

Also, when you use the self-timer and mirror lock-up you won’t be able to see through the viewfinder since the mirror is blocking your view. That doesn’t mean that stray light can’t enter the camera from the viewfinder and affect your exposure, so it’s a good idea to cover the viewfinder opening with the eye-piece cover as shown in the image below or with a baseball cap (my personal technique).

Canon's Eye Piece

 

 

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The Edge of Night

Edge of Night

Edge of Night – Orchard, Texas
Copyright © 2012 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 17-40mm f/4L USM tripod mounted. The exposure was taken at 40mm, f/13 for 1/250th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop, soft, graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 4.
Click on the image above for a larger version.