Lower Madera Canyon – Big Bend Ranch State Park, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 17-40mm f/4L USM lens tripod mounted. The exposure was taken at 22mm, f/14 for 1/15th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 3.
Click on the image above for a larger version.
Sports photography is not my usual fare but combining work with pleasure is always fun here in Texas!
Intense Concentration – North Zulch, Texas
Copyright © 2012 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 24-105mm f/4L IS USM lens hand held. The exposure was taken at 85mm, f/7.1 for 1/160th of a second at ISO 400. Post capture processing was done in Adobe’s Lightroom 3 and Photoshop CS5.
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High Desert – Big Bend National Park, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 17-40mm f/4L USM lens tripod mounted. The exposure was taken at 22mm, f/14 for 1/15th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 3.
Click on the image above for a larger version.
There is a very special location in Big Bend National Park just north of the Panther Junction visitor’s center, that Jack and I stumbled upon last spring. It’s located in an area known as “Tornillo Flat” just east of the Rosillos Ranch, a patch of private land in the middle of Big Bend.
Jack and I went there one sunny morning in search of some hoodoos to photograph but what we found was so much more interesting and potentially dangerous.
We drove North from Panther Junction about nine miles when we spied an interesting looking set of hoodoos about a mile west of the road. We donned our backpacks and started for the nearest rock outcrop about 300 yards from the road when we began to notice very small animal tracks in the crusty soil.
The tracks were very small and faint but ran all over the area we were exploring. We thought the tracks looked like they were made by a bobcat but were too small to be a mountain lion, or so we thought.
Lion’s Den – Big Bend National Park, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 17-40mm f/4L USM lens tripod mounted. The exposure was taken at 20mm, f/16 for 1/25th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 3.
Click on the image above for a larger version.
I stopped to take a few shots of the interesting outcropping in the image below when I noticed several more sets of tracks leading to and from the rocks. It was then that Jack spotted the tracks of a full-grown mountain lion and we knew we had stumbled upon the daytime lair of a female and her very young kittens.
Copyright © 2011 Big Bend National Park
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Mountain lions prefer to take their prey by ambush rather than by a long pursuit. They usually stalk their prey using available cover, then attack with a rush, often from behind. Jack seemed to take this all in stride but I made sure he was between myself and the rock outcropping as we continued exploring. He laughed and told me the mountain lion would never attack a skinny old man like him when there was a much larger and slower photographer to munch upon. 
Lair – Big Bend National Park, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 17-40mm f/4L USM lens tripod mounted. The exposure was taken at 20mm, f/16 for 1/25th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 3.
Click on the image above for a larger version.
You never know when a great photographic opportunity will present itself but sometimes lugging around a DSLR and lens is just not possible. That’s why most of us carry a point & shoot camera like the Canon Powershot G10/G11/G12 wherever we go. Like many photographers, I really love the resolution and detail my Canon 5D Mark II is capable of producing and for most of my professional and personal shooting it’s my camera of choice. However, like all other DSLRs the 5D2 can be quite a load to lug around when you’re already carrying too much other stuff.
This past Sunday I participated in my first Cowboy Action Shooting (SASS) match with the Thunder River Renegades in Magnolia, Texas. I’d thought to bring along my complete camera bag but after loading my rifle, shotgun, pistols, ammunition, costume and gun cart, I thought better of it and grabbed my trusty G10 instead.
Sometimes all you really need is the convenience of a point & shoot combined with the control of a DSLR (without the weight of course). This is the niche that Canon’s Powershot “G” series were made for. And with the addition of a few inexpensive accessories as shown above, the G10/G11/G12 can perform perfectly on those occasions when less is more. In fact, I find myself taking my G10 with me everywhere I go these days, just in case I stumble upon a scene like this!
Original Image Before Post-Capture Processing
Depth of Field and Image Clutter
One of the drawbacks to using a point & shoot style camera like the G10 for this type of action shot is the very wide depth of field. Yes, the same feature that makes a point & shoot cameras so great for landscape works makes them fairly poor for portrait work. The problem is image clutter. When almost everything in the frame is in perfect focus your main subject tends to become lost in the clutter. That’s why most portrait photographers shoot with very large apertures to attain that perfect blurred background or bokeh.
Luckily, there is a great little Photoshop plug-in from Alien Skin called “Bokeh 2” that helps eliminate this background “clutter” during post-capture processing. It works nearly as well on images from my G10 as it does on those from my 5D2.
My first step in creating this image was to process it as I would normally do in Lightroom. I generally work on the Basic settings like Exposure, Recovery (very important), Blacks (also very important), Brightness and overall Contrast. I almost always crank up the Clarity (adding mid-tone contrast) and Vibrance (adding mid-tone saturation) and may play with these two settings for 20 or 30 minutes until I find a combination I like.
At this point, my work in Lightroom 3 is complete and my next step is to export the image into Photoshop CS5 and use the Quick Selection tool to select the shooter and timer as shown here. Although the selection doesn’t have to be pixel perfect, it always pays in realism to spend a little extra time making a thorough selection of all parts of the subject.
Quick Selections in for Photoshop CS5
Once you’ve got a basic selection done it’s time to use the Refine Edge tool to Smooth, Feather and Expand the selection you’ve just made. For the most realistic look I want to make sure all the subjects that should be in perfect focus are included in the selection and that the selection “feathers” into the background naturally. Once that’s done your new selection should look something like this.
Refine Selections in for Photoshop CS5
You’ll understand why this step is vital when you begin to play around with the settings in the Alien Skin Bokeh plug-in filter. Bokeh provides creative controls to enhance images by focusing the viewer’s attention anywhere you want. In the image above, the Bokeh plug-in was used to enhance the background blur. Blurring the background in an image like this one makes the subject “pop” and seem that much sharper.
Alien Skin Bokeh 2 Plug-in for Photoshop CS5
The final step in Photoshop CS5 is to blend the two layers you’ve just created using Lightroom (background layer) and Alien Skin Bokeh (bokeh layer). Now you could do this simply by flattening the layers but I suggest you take a little time and experiment with the Opacity of each layer until you achieve the desired results. I tend to blend the Bokeh layer at 65% – 75% to achieve the most realistic look to my image. Once you’ve completed this process, you just save the image in Photoshop and it should automatically show up in Lightroom, ready to be exported or printed, just like these three images below.
That’s Some Rifle Ma’am – Magnolia, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon Powershot G10 set on aperture priority (Av) using a circular polarizer. The exposure was taken at 32mm, f/4.5 for 1/60th of a second at ISO 80. All post capture processing was done in Adobe’s Lightroom 3 and Photoshop CS5 using Alien Skin’s Bokeh plug-in.
Old Time Shooting – Magnolia, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon Powershot G10 set on aperture priority (Av) using a circular polarizer. The exposure was taken at 32mm, f/4.5 for 1/60th of a second at ISO 80. All post capture processing was done in Adobe’s Lightroom 3 and Photoshop CS5 using Alien Skin’s Bokeh plug-in.
Girls & Guns – Magnolia, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon Powershot G10 set on aperture priority (Av) using a circular polarizer. The exposure was taken at 32mm, f/4.5 for 1/60th of a second at ISO 80. All post capture processing was done in Adobe’s Lightroom 3.
Checkout my new Cowboy Action Shooting blog for more images just like these!
Nothing special to learn today. Just a nice shot of a wonderful hiking trail in Big Bend National Park. Enjoy!
Burro Mesa Trail – Big Bend National Park, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 17-40mm f/4L USM lens tripod mounted. The exposure was taken at 20mm, f/16 for 1/25th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 3.
Click on the image above for a larger version.
Have you ever photographed a deep forest, a huge lake or an enormous mountain range and when you looked at your images later they just didn’t seem as “grand” as you remember? This happens a lot in landscape photography since the camera itself has no way to record a sense of scale.
Take this image of Santa Elena Canyon in Big Bend National Park for example. It’s over 1500 feet from the river to the top of the wall but no shot I took could really capture the sense of scale I felt the first time I visited. Even my trusty 17-40mm ultra-wide zoom lens just wasn’t up to the task of conveying just how big this place really is.
Santa Elena Canyon – Big Bend National Park, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 17-40mm f/4L USM lens tripod mounted. The exposure was taken at 19mm, f/16 for 1/15th of a second at ISO 100 using a Singh-Ray warming polarizer filter and 2-stop graduated neutral density filter. Post capture processing was done in Adobe’s Lightroom 3.
Click on the image above for a larger version.
Now look at this image of the Burro Mesa Pour-off, a geological feature less than 300 feet high. With Jack (my trusted guide) in the frame, the image somehow looks much larger than it did in person. It’s up to you as the photographer to create this sense of scale, which is why many professionals prefer to shoot landscape and travel images that include people.
Burro Mesa Pouroff – Big Bend National Park, Texas
Copyright © 2011 Jeff Lynch Photography
Shot taken with a Canon EOS 5D Mark II set on aperture (Av) priority using an EF 17-40mm f/4L USM lens tripod mounted. The exposure was taken at 20mm, f/14 for 1/30th of a second at ISO 100 using a Singh-Ray warming polarizer filter. Post capture processing was done in Adobe’s Lightroom 3 and Adobe Photoshop CS5.
Click on the image above for a larger version.
Here’s a little something different that I decided to get into while waiting for the Texas drought to end. I’ve decided to combine my recreational sports shooting with my photographic shooting and write another blog this year called Cowboy Action Shooting – Deep in the Heart of Texas.
Have no fear, this blog will continue just as it always has. But for those of you interested in the “Old West”, “Cowboys”, “Texas” or sports shooting in general, stop on over for my primer on Getting Started in Cowboy Action Shooting.
For my more “liberal” readers and friends with a serious distaste for anything “gun” related, I promise not to cross-post very often. I also promise that the only thing injured during the writing of my new blog will be a few paper targets and some steel plates.
I do promise to post all embarrassing photos taken of me dressed in full 1890′s costume for y’all to laugh at. No, that tall cowboy in the image is not the K-Man, although the similarity is striking.
